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Joël Grare - Des Pas Sous La Neige
 
15,00 €
 
Formát:
CD
 
 
Dostupnosť:
7-14 dní
 
 
Katalógové číslo:
ALPHA436
 
 
EAN kód:
3760014194368
 
 
Autori:
Joël Grare
 
 
Interpreti:
Joël Grare
 
 
Vydavateľ:
ALPHA
 
 
Zoznam skladieb
Des pas sous la neige (À ma mère)

Transhumance et transcendance (À Didier Galas)

Battements d'ailes dans le brouillard (À Pierre Favre)

Les rythmes fantômes (À Jacques Debs)

Campanula alpestris (À Armand Amar)

La noce feras-tu ? (À Jean-François Zygel)

La buée (À Christian Vander)

Abel Torbak 1 / Brâul (À Claude Walter)

Abel Torbak 2 / Pe Loc (À Matthieu Delpy)

Abel torbak 3 / Buciumeana (À Yoann Moulin)

Cloches Vespérales (À Emmanuel Guibert)

Le cou des vaches (À mon frère Alain)Matthieu Desbordes

Les Grandes Jorasses Face Nord (À Yvan Cassar)Matthieu Desbordes, Yula Slipovitch

La cascade des perles de rosée (À Dieter Hermann)

Debussy ou la tour des cloches (À Maël Guezel)

Sonnerie de plein champ pour faire venir la neige (À Alban Sautour)Matthieu Desbordes, Yula Slipovitch, Anne Isambert

Les flocons invitent la montagne à danser (À Axel Lecourt)Simon Buffaud

Sous la neige (À Anne Rousseau)Alice Julien-Laferrière
Popis
Joël Grare, percussionist and tireless seeker after offbeat sounds and instruments, here presents his third album for Alpha: ‘Footprints beneath the snow: first sounds of innocence, cowbells and jingle-bells, sounds swallowed up by the mountain’… Through his compositions and inspirational influences (Debussy, Bartók) he follows a dizzying emotional Alpine path, along with his amazing instruments: drums, balafon, melodica, sanza, cowbells of all sizes, Japanese drums, trompiki, rainstick, thunder sheet – and his famous ‘clavicloche’: One early afternoon in January 1986 I visited the Devouassoud workshop in Chamonix, manufacturer of the jingle bells and tongued cowbells that adorn the animals’ necks, filling the mountainside with their chimes… I added these new treasures to my percussion set, not realizing that these newbies arranged among my cymbals would eventually become an instrument in their own right… Totally unlike church bells, whose pitches are precalculated when casting them, the pitch of cowbells is only approximate. The low-pitched bells are called “dull”, and the high-pitched ones “bright” – you need only a few cowbell notes to identify a particular herd. When trying to assemble a full tuned set, you might test several hundred cowbells and pick out just a few… To collect a chromatic set of three-and-a-half octaves took me a good twenty years!’ Joël Grare
 
 
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