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Beaute Barbare
 
15,00 €
 
Formát:
CD
 
 
Dostupnosť:
na sklade / dostupné okamžite
 
 
Katalógové číslo:
ALPHA 949
 
 
EAN kód:
3760014199493
 
 
Interpreti:
François Lazarevitch, Les Musiciens de Saint-Julien
 
 
Vydavateľ:
ALPHA
 
 
Zoznam skladieb
1
Anonymous: Pozic mamo roz
2
Anonymous: Swiatówka
3

Anonymous: Suite from Uhrovska's manuscript: [Untitled] - Hungaricus - Hajdukujymy - Hungaricus

Ouverture-Suite, TWV 55:B5

4

Georg Philipp Telemann: 5. Les Moscovites

Ouverture-Suite, TWV 55:D17

5

Georg Philipp Telemann: 2. Les Janissaires

Ouverture-Suite, TWV 55:B8

6

Georg Philipp Telemann: 8. Mezzetin

Ouverture-Suite, TWV 55:E2

7

Georg Philipp Telemann: 5. Rondeau Hanaquoise

8

Anonymous: Dyz sem sla z kostela

Flute Concerto, TWV 51:D2

9

Georg Philipp Telemann: I. Moderato
10
Georg Philipp Telemann: II. Allegro
11
Georg Philipp Telemann: III. Largo
12

Georg Philipp Telemann: IV. Vivace

13

Anonymous: Nisko slonko

Trio no.3 in B minor, TWV 42:H2

14

Georg Philipp Telemann: Allegro

15

Anonymous: Hora din caval
16

Georg Philipp Telemann: Polish concerto: Adagio

Trio no.3 in B minor, TWV 42:H2

17

Georg Philipp Telemann: Presto

18

Anonymous: Takú sem já galánecku dostal
19
Anonymous: Dances suite from Uhrovska's manuscript: [Untitled] - Olacs - [Untitled] - [Untitled] - [Untitled]
20

Georg Philipp Telemann: Suite of two hanacs, TWV 45

Ouverture-Suite, TWV 55:E1

21

Georg Philipp Telemann: 10. Hanasky

22

Anonymous: Vitement - Braul Oltenesc
23
Anonymous: Veselo se dzivce
24
Georg Philipp Telemann: Suite of two Polonesie
25
Anonymous: Suite from Uhrovska's manuscript: [Untitled] - Hungaricus - Hungaricus - [Untitled] - Olas
Popis
This album owes its title ‘Beauté barbare’ to Telemann who described the music he discovered during a trip to Upper Silesia in 1705 as existing ‘in its true barbaric beauty’. Did he mean ‘wild’? ‘Exotic’? In any case, the composer was fascinated: ‘An attentive observer could gather from [those musicians] enough ideas in eight days to last a lifetime.’ An equally passionate admirer of folk music, whose Serbian roots link him to these cultures, François Lazarevitch has conceived this wildly swirling programme that mixes Telemann (Concerto Polonois) and eastern European Romani music of the eighteenth century, thanks to a collection of dance tunes from 1730 that he has unearthed. ‘What is interesting for us as Baroque performers is to try to find in the pieces of “art music” everything that is not written down, namely the energy and “swing” of the folk dances. I like the music we play not to sound like early music’, says the flautist and founder of Les Musiciens de Saint-Julien, who are joined for the occasion by a cymbalom virtuoso and a wide variety of percussion instruments.
 
 
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