Dostupnosť:
na sklade / dostupné okamžite
Katalógové číslo:
ALPHA 949
Interpreti:
François Lazarevitch, Les Musiciens de Saint-Julien
1
Anonymous: Pozic mamo roz
2
Anonymous: Swiatówka
3
Anonymous: Suite from Uhrovska's manuscript: [Untitled] - Hungaricus - Hajdukujymy - Hungaricus
Ouverture-Suite, TWV 55:B5
4
Georg Philipp Telemann: 5. Les Moscovites
Ouverture-Suite, TWV 55:D17
5
Georg Philipp Telemann: 2. Les Janissaires
Ouverture-Suite, TWV 55:B8
6
Georg Philipp Telemann: 8. Mezzetin
Ouverture-Suite, TWV 55:E2
7
Georg Philipp Telemann: 5. Rondeau Hanaquoise
8
Anonymous: Dyz sem sla z kostela
Flute Concerto, TWV 51:D2
9
Georg Philipp Telemann: I. Moderato
10
Georg Philipp Telemann: II. Allegro
11
Georg Philipp Telemann: III. Largo
12
Georg Philipp Telemann: IV. Vivace
13
Anonymous: Nisko slonko
Trio no.3 in B minor, TWV 42:H2
14
Georg Philipp Telemann: Allegro
15
Anonymous: Hora din caval
16
Georg Philipp Telemann: Polish concerto: Adagio
Trio no.3 in B minor, TWV 42:H2
17
Georg Philipp Telemann: Presto
18
Anonymous: Takú sem já galánecku dostal
19
Anonymous: Dances suite from Uhrovska's manuscript: [Untitled] - Olacs - [Untitled] - [Untitled] - [Untitled]
20
Georg Philipp Telemann: Suite of two hanacs, TWV 45
Ouverture-Suite, TWV 55:E1
21
Georg Philipp Telemann: 10. Hanasky
22
Anonymous: Vitement - Braul Oltenesc
23
Anonymous: Veselo se dzivce
24
Georg Philipp Telemann: Suite of two Polonesie
25
Anonymous: Suite from Uhrovska's manuscript: [Untitled] - Hungaricus - Hungaricus - [Untitled] - Olas
This album owes its title ‘Beauté barbare’ to Telemann who described the music he discovered during a trip to Upper Silesia in 1705 as existing ‘in its true barbaric beauty’. Did he mean ‘wild’? ‘Exotic’? In any case, the composer was fascinated: ‘An attentive observer could gather from [those musicians] enough ideas in eight days to last a lifetime.’ An equally passionate admirer of folk music, whose Serbian roots link him to these cultures, François Lazarevitch has conceived this wildly swirling programme that mixes Telemann (Concerto Polonois) and eastern European Romani music of the eighteenth century, thanks to a collection of dance tunes from 1730 that he has unearthed. ‘What is interesting for us as Baroque performers is to try to find in the pieces of “art music” everything that is not written down, namely the energy and “swing” of the folk dances. I like the music we play not to sound like early music’, says the flautist and founder of Les Musiciens de Saint-Julien, who are joined for the occasion by a cymbalom virtuoso and a wide variety of percussion instruments.