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Bach Notebook for Trumpet
17,90 €
dodacia doba 7-28 dní
Katalógové číslo:
CKD 418
EAN kód:
Heinrich Bach, Johann Bernhard Bach, Johann Christian Bach, Johann Christoph Bach, Johann Christoph Friedrich Bach, Johann Ludwig Bach, Johann Michael Bach, Johann Sebastian Bach, Wilhelm Friedemann Bach
Jonathan Freeman-Attwood
Zoznam skladieb
Bach, C P E:

Keyboard Sonata in G minor, Wq. 65/17 (H47): Movement III

Bach, H:

So oft ich meine Tobackspfeife

Sonata II in F major

Bach, J B:

La Joye (from Suite No. 4 in C)

Bach, J C:

Amadis des Gaules: Overture

Bach, J C F:

Rondo Allegretto: Sonata, F.X/2

Bach, J C'ph:

Ich lasse dich nicht

Bach, J Ludwig:

Overture in G Major

Bach, J M I:

Ach, wie sehnlich wart' ich der Zeit

Bach, J S:

Prelude & Fugue in G major, BWV541

Cantata BWV68 'Also hat Gott die Welt geliebt'

Chorale Prelude BWV653b 'An Wasserflüssen Babylon'

Oboe d'amore Concerto in A major, BWV1055: Movement III

Cantata BWV85 'Ich bin ein guter Hirt': Seht, was die Liebe tut

Chorale Prelude BWV622 'O Mensch, bewein' dein' Sünde groß'

Cantata BWV172 'Erschallet, ihr Lieder'

Chorale Prelude BWV656 'O Lamm Gottes, unschuldig'

English Suite No. 2 in A minor, BWV807: Prélude

Cello Suite No. 6 in D major, BWV1012: Sarabande

arr. Fryer

Bach, W F:

Polonaise No. 10

Jonathan Freeman-Attwood (trumpet) & Daniel-Ben Pienaar (piano)
Jonathan Freeman-Attwood’s ‘A Bach Notebook for Trumpet’ is a celebration of the music of the famous Johann Sebastian and ten other lesser-known Bachs, re-imagined for the combination of trumpet and piano. Bach specialist Daniel-Ben Pienaar has arranged music from a great uncle, close cousins, distant cousins, and five sons, all related to the great J. S. Bach in a wholly unique recital programme. Aesthetic passions drive the repertoire and performance choices as the duo explore vocabularies not usually associated with trumpet and piano chamber music: brushing up against ‘period’ gesture, ornamentation and articulation, whilst also co-referencing less fashionable inspirations from the past, including those judged ‘romantic’ in coloration, whether in the use of the pedal, rubati or articulation. Jonathan is an established authority on Bach interpretation, particularly as it challenges and refocuses historical  perspectives on ‘performance practices’ and how recordings of the past can influence current priorities and tastes. As a trumpet player and recording artist, Jonathan Freeman-Attwood has attracted plaudits from the press; his producing career has resulted in over 200 recordings and several awards including Diapasons d’Ors, eight Gramophone Awards and many nominations. Jonathan broadcasts regularly for BBC Radio 3 and is in demand as an essayist for EMI, Warner, Deutsche Grammophon and other major record labels. Daniel-Ben is active as a recitalist and chamber musician. He has received great acclaim for his interpretations of Bach’s keyboard music: ‘Pienaar produces a breathless, highly energised reading’ Gramophone on his Goldberg Variations.
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