Hotteterre: Complete Chamber Music, vol.3 (2CD)

18,00 €
 
Formát:
CD
 
 
Dostupnosť:
7-14 dní
 
 
Katalógové číslo:
5550382
 
 
EAN kód:
0761203503827
 
 
Autori:
Jacques Hotteterre
 
 
Interpreti:
Camerata Köln
 
 
Vydavateľ:
CPO
 
 
Zoznam skladieb
Hotteterre: Suite in G minor, Op. 5 No. 1
Work length 16:14

Karl Kaiser (traverso)
Camerata Köln
Recorded: January 2013, April 2012 and March 2015
Recording Venue: Deutschlandfunk Kammermusiksaal

I. Prélude

II. Caprice

III. Allemande

IV. Sarabande

V. Menuets I & II

VI. Sicilienne

VII. Gavotte

VIII. Gigue


Hotteterre: Première Suitte de Pièces à deux dessus, Op. 4
Work length13:36

Camerata Köln
Recorded: January 2013, April 2012 and March 2015
Recording Venue: Deutschlandfunk Kammermusiksaal

I. Gravement et gay, les croches égales

II. Allemande. Gay

III. Rondeau tendre. Les Tourterelles

IV. Rondeau. Gay

V. Gigue

VI. Passacaille


Hotteterre: Airs Ornez d'Agremens
Work length9:05

Karl Kaiser (traverso)
Recorded: January 2013, April 2012 and March 2015
Recording Venue: Deutschlandfunk Kammermusiksaal

De mes soupirs de ma langueur

Vous qui faite votre modèle

Brunette. Le beau berger Tircis

Hotteterre: L'art de préluder, Op. 7, Prelude in F Major

Michael Schneider (recorder)

I. Modéré - II. Gay


Hotteterre: L'art de préluder, Op. 7, Prelude in D Minor

I. Rondement - II. Gay

Hotteterre: L'art de préluder, Op. 7, Prelude in C Major

I. Modéré - II. Gay

Hotteterre: L'art de préluder, Op. 7, Prelude in A Minor

I. Modéré - III. Gay

Hotteterre: L'art de préluder, Op. 7, Prelude in A Major

III. Gracieusement - II. Gay

Hotteterre: L'art de préluder, Op. 7, Prelude in B Major

I. Gracieusement - II. Gay et croches égales

Robert Valentine: Recorder Sonata in E Minor (Arr. J. Hotteterre for 2 Viola da gambas)

Rainer Zipperling (viola da gamba), Ghislaine Wauters (viola da gamba)
Recorded: January 2013, April 2012 and March 2015
Recording Venue: Deutschlandfunk Kammermusiksaal

I. Adagio

II. Allegro

III. Adagio

IV. Giga. Allegro


Hotteterre: Suite in D major, Op. 5 No. 3

Michael Schneider (recorder)
Camerata Köln
Recorded: January 2013, April 2012 and March 2015
Recording Venue: Deutschlandfunk Kammermusiksaal

I. Prélude

II. Allemande

III. Courante

IV. Grave

V. Gigue

Hotteterre: Suite in C minor, Op. 5, No. 2
Work length18:36

Karl Kaiser (traverso)
Camerata Köln
Recorded: January 2013, April 2012 and March 2015
Recording Venue: Deutschlandfunk Kammermusiksaal

I. Prélude

II. Allemande

III. Sarabande

IV. Menuets I & II

V. Gavotte

VI. Rondeau

VII. Gigue


Hotteterre: L'Art de Preluder, Op. 7: Prelude in G minor
Work length 1:28

II. Modéré - III. Gay

Hotteterre: L'Art de Preluder, Op. 7: Prelude in C minor

I. Tendrement - II. Gay

Hotteterre: L'art de préluder, Op. 7, Prelude in F Minor

I. Modéré - II. Gay

Hotteterre: L'art de préluder, Op. 7, Prelude in B-Flat Minor

I. Tendrement - II. Gay

Hotteterre: L'art de préluder, Op. 7, Prelude in E-Flat Minor

I. Tendrement - II. Rondement

Hotteterre: Deuxième suite de pièces à 2 dessus, Op. 6

Camerata Köln
Recorded: January 2013, April 2012 and March 2015
Recording Venue: Deutschlandfunk Kammermusiksaal

I. Duo

II. Allemande

III. Sarabande "La St. Maurice"

IV. Musette

V. Gigue

VI. Rondeaus I & II

VII. Gigue

VIII. Contrefaiseurs

Hotteterre: Suite in B minor, Op. 5, No. 4
Work length 11:01

Ghislaine Wauters (viola da gamba)
Camerata Köln
Recorded: January 2013, April 2012 and March 2015
Recording Venue: Deutschlandfunk Kammermusiksaal

I. Prélude

II. Allemande

III. Courante

IV. Rondeau

V. Grave

VI. Gigue


Hotteterre: Troisième suite de pièces à 2 dessus, Op. 8
Work length 13:54

Camerata Köln
Recorded: January 2013, April 2012 and March 2015
Recording Venue: Deutschlandfunk Kammermusiksaal

I. Fanfare. Animé

II. Muzette. Tendrement

III. Fugue. Gay

IV. Pastorelle. Lentement et tendrement

V. Suitte. Gay sans vitesse

VI. Fantaisie. Modéré

VII. Muzette. Tendrement

VIII. Menuets I & II

IX. Gigue
Popis
Jacques Hotteterre’s suites form the focus of the last volume in CPO’s complete edition of his chamber music. The Italian idiom, Hotteterre’s affinity for Italy and its music, distinguish the structure of his works, and this proximity to the goût italien can also be heard in the Four Suites, op.5 (Book 2 of the Pieces pour la Flute-Traversiere et autres Instruments). Hotteterre modified the French suite type consisting of many pieces in the same key and replaced it with a model practically verging on the sonata form. L’art de préluder, a course offering instruction in the important capabilities necessary for improvisation, is another highly interesting work by Hotteterre. Here the composer writes short preludes that could be used to introduce suite cycles in the corresponding keys and were supposed to school and inspire the musician’s own gifts of invention. In his pieces from the valuable volume entitled Airs Ornez d’Agremens Hotteterre arranges familiar melodies of French provenance for two or three flutes and writes Doubles for flute solo. These greatly embellished variations are unrivalled in their marvellous display of the ornamental improvisational style of French flute artistry.