Legrenzi: La morte del cor penitente
16,00 €
Formát:
CD
Dostupnosť:
na sklade / dostupné okamžite
Katalógové číslo:
ALPHA975
EAN kód:
3760014199752
Autori:
Giovanni Legrenzi
Interpreti:
Cristina Fanelli, Ensemble Masques, Hana Blažíková , Olivier Fortin, Raffaele Giordani
Vydavateľ:
ALPHA
Zoznam skladieb
Dátum vydania: 2. 6. 20231. 1. Sinfonia
2. 2. Lumi, dolenti lumi
3. 3. Sommergete dell’ alma l’orgoglio
4. 4. Care amate pupille
5. 5. Ma voi risponderete che
6. 6. Pianga sì, che del fallir passato
7. 7. Ah sì quest’ è la lingua
8. 8. Clementissimo cielo, ancor si serba
9. 9. Dillo tù, cor delirante
10. 10. Deh senti misero
11. 11. Piacer ti rifiuto
12. 12. Sù spirti pentiti
13. 13. Non si pensi, ch’a languir
14. 14. Nò nò tempra il furor
15. 15. Se sperare il core non sà
16. 16. Come sperar poss’io
17. 17. Nò nò le tue lusinghe
18. 18. Se dal duol non resti preso
19. 19. Or và, figlio costante
20. 20. Termini il viver mio col penar solo
21. 21. Porta ancor nel ferire
22. 22. Sinfonia
23. 23. Coltello di dolore
24. 24. Siam quì pronte
25. 25. Sù sù si mandino
26. 26. Sì sì dal dolore
27. 27. Sù sù si destino
28. 28. Non più s’accendano
29. 29. Sì sì dal dolore
30. 30. Già già da un’ improviso
31. 31. Venite alme dolenti
32. 32. Cara morte di dolore
33. 33. Hor non ti vantar più divino amore
Popis
A highly prolific composer, Giovanni Legrenzi practised his art in oratorios and other works for the church, as well as in opera and chamber music. In fact he explored all the musical genres of his period, taking over the baton handed on by Gabrieli and Monteverdi, and enjoying an enviable reputation among his contemporaries. Better known during his lifetime (1626-1690) for his operas rather than for his religious music, Legrenzi was widely admired and copied all over Europe. Of his eight known oratorios, only three have survived, including this gem: La morte del cor penitente (The Death of the Repentant Heart), a chamber oratorio probably composed in 1671. The theme is the spiritual development of the Sinner, the central figure of the work, who must pay his debt to God to save his immortal soul. The oratorio’s text provides a whole vivid universe of ‘affects’ (emotions) relating to spiritual torments and temptations. In his pilgrimage from the Cross to the heavenly light, beset by the competing voices of Sin and Hope, the Sinner duly makes his repentance, and finally achieves redemption.
