Mancini: Recorder Concertos & Sonatas (4CD)

18,00 €
 
Formát:
CD BOX
 
 
Dostupnosť:
na sklade / in stock
 
 
Katalógové číslo:
70052
 
 
EAN kód:
5063758700528
 
 
Autori:
Francesco Mancini
 
 
Interpreti:
Alexandra Nigito, Capella Tiberina, Caroline Boersma, Corina Marti, Ensemble Tripla Concordia, Lorenzo Cavasanti, Paolo Perrone, Sergio Ciomei
 
 
Vydavateľ:
BRILLIANT CLASSICS
 
 
Zoznam skladieb
Dátum vydania: 13. 11. 2026

CD 1
Recorder Concerto No. 8 in C Minor
1 I. Vivace
2 II. Largo e staccato
3 III. Fuga. Allegro
4 IV. Largo
5 V. Allegro

Recorder Concerto No. 5 in G Major
6 I. Allegro
7 II. Largo
8 III. Fuga. Allegro
9 IV. Larghetto
10 V. Allegro

Recorder Concerto No. 19 in E Minor
11 I. Allegrissimo
12 II. Larghetto
13 III. Fuga
14 IV. Moderato
15 V. Allegro

Recorder Concerto No. 20 in C Minor
16 I. Comodo
17 II. Fuga. Allegro
18 III. Lento
19 IV. Comodo

Recorder Concerto No. 18 in F Major
20 I. Largo
21 II. Fuga
22 III. A tempo giusto
23 IV. Allegro

Recorder Concerto No. 14 in G Minor
24 I. Comodo
25 II. Fuga. Allegro
26 III. Larghetto
27 IV. Allegro

CD 2
Recorder Concerto No. 10 in B-Flat Major
1 I. Larghetto
2 II. Allegro
3 III. Largo
4 IV. Allegro

Recorder Concerto No. 1 in C Minor
5 I. Moderato
6 II. Grave
7 III. Moderato
8 IV. Allegro

Recorder Concerto No. 13 in G Minor
9 I. Largo
10 II. Fuga
11 III. Largo
12 IV. Spiritoso

Recorder Concerto No. 16 in F Major
13 I. Affettuoso
14 II. Fuga
15 III. Un poco andante
16 IV. Allegro

Recorder Concerto No. 6 in D Minor
17 I. Amoroso
18 II. Allegro
19 III. Largo
20 IV. Allegro

Recorder Concerto No. 17 in A Minor
21 I. Allegro
22 II. Andante
23 III. Spiritoso
24 IV. Largo
25 V. Allegro

CD 3
Recorder Sonata No. 9 in F Minor
1 I. (…)
2 II. Allegro
3 III. Largo
4 IV. Allegro

Recorder Sonata No. 7 in C Major
5 I. Spiritoso – Largo
6 II. Allegro
7 III. Largo
8 IV. Allegro

Recorder Sonata No. 2 in E Minor
9 I. Andante
10 II. Allegro
11 III. Largo
12 IV. Allegro

Recorder Sonata No. 5 in D Major
13 I. Allegro – Largo
14 II. Allegro
15 III. Largo
16 IV. Allegro

Recorder Sonata No. 4 in A Minor
17 I. Spiritoso – Largo
18 II. Allegro
19 III. Largo
20 IV. Allegro spiccato

Recorder Sonata No. 3 in C Minor
21 I. Largo affettuoso
22 II. Allegro
23 III. Largo
24 IV. Allegro

CD 4
Recorder Sonata No. 11 in G Minor
1 I. Un poco andante
2 II. Allegro
3 III. Largo
4 IV. Allegro

Recorder Sonata No. 12 in G Major
5 I. Allegro – Largo
6 II. Allegro
7 III. Andante
8 IV. Allegro

Recorder Sonata No. 10 in B Minor
9 I. Largo
10 II. Allegro
11 III. Largo
12 IV. Allegro

Recorder Sonata No. 1 in D Minor
13 I. Amoroso
14 II. Allegro
15 III. Largo
16 IV. Allegro

Recorder Sonata No. 6 in B-Flat Major
17 I. Largo
18 II. Allegro
19 III. Largo
20 IV. Allegro

Recorder Sonata No. 8 in G Minor
21 I. Largo
22 II. Allegro
23 III. (…)
24 IV. Allegro
Popis
Francesco Mancini (1672–1732) was an Italian Baroque composer and organist, whose career was closely associated with Naples, one of the most vibrant musical centers of the early eighteenth century. A pupil of Francesco Provenzale, Mancini rose to prominence within the Neapolitan court and church music establishments, ultimately succeeding Alessandro Scarlatti as maestro di cappella at the royal chapel in 1725. Although he composed extensively for the stage and sacred venues—producing operas, cantatas, and oratorios—his instrumental music, particularly his works for the flute, reveals his deep understanding of melody, virtuosity, and expressive nuance. Mancini’s Sonate per flauto e cembalo (Sonatas for Flute and Harpsichord), published in London around 1724, represent some of the earliest Italian compositions dedicated specifically to the transverse flute, an instrument gaining popularity across Europe at the time. These sonatas blend the lyrical warmth typical of the Neapolitan school with virtuosic passagework that highlights both technical brilliance and expressive depth. The writing often alternates between elegant, songlike slow movements and rhythmically animated fast movements, showing Mancini’s mastery of balance between vocal-style phrasing and instrumental agility. Equally notable are his Concerti per flauto, which demonstrate an inventive approach to orchestral color and solo writing. The flute concertos combine Italianate brilliance with a sensitivity to the instrument’s timbre, employing graceful melodic lines, clear structures, and engaging dialogue between soloist and ensemble. Mancini’s concertos, alongside those of contemporaries such as Vivaldi and Pergolesi, contributed to establishing the flute as a leading solo instrument in eighteenth-century concert life. Played by Lorenzo Cavasanti and Corina Marti, and the Capella Tiberina (Paolo Perrone, concertmaster) and the Ensemble Tripla Concordia.