Geminiani: Violin Sonatas Op. 4 (2CD)

16,00
 
Formát:
CD
 
 
Dostupnosť:
7-14 dní
 
 
Katalógové číslo:
96636
 
 
EAN kód:
5028421966366
 
 
Autori:
Francesco Geminiani
 
 
Interpreti:
Alexandra Nepomnyashchaya, Igor Ruhadze
 
 
Vydavateľ:
BRILLIANT CLASSICS
 
 
Zoznam skladieb
CD 1
Sonata Op. 4 No. 1 in D Major
1 I. Adagio
2 II. Allegro
3 III. Largo
4 IV. Allegro assai

Sonata Op. 4 No. 2 in E Minor
5 I. Adagio
6 II. Allegro
7 III. Largo
8 IV. Allegro

Sonata Op. 4 No. 3 in C Major
9 I. Adagio
10 II. Allegro
11 III. Affettuoso
12 IV. Allegro

Sonata Op. 4 No. 4 in D Minor
13 I. Largo
14 II. Allegro
15 III. Grave
16 IV. Allegro

Sonata Op. 4 No. 5 in A Minor
17 I. Andante
18 II. Presto
19 III. Allegro affettuoso-Non tanto-Allegro affettuoso

Sonata Op. 4 No. 6 in D Major
20 I. Adagio
21 II. Allegro
22 III. Andante
23 IV. Allegro

CD 2
Sonata Op. 4 No. 7 in A Major
1 I. Andante
2 II. Allegro
3 III. Moderato
4 IV. Allegro

Sonata Op. 4 No. 8 in D Minor
5 I. Largo
6 II. Allegro
7 III. Andante
8 IV. Allegro

Sonata Op. 4 No. 9 in C Minor
9 I. Andante
10 II. Allegro
11 III. Andante
12 IV. Allegro

Sonata Op. 4 No. 10 in A Major
13 I. Andante
14 II. Allegro
15 III. Adagio
16 IV. Allegro

Sonata Op. 4 No. 11 in B Minor
17 I. Largo
18 II. Allegro-Largo-Allegro
19 III. Adagio
20 IV. Allegro-Affettuoso-Allegro

Sonata Op. 4 No. 12 in A Major
21 I. Adagio-Presto-Adagio-Presto
22 II. Presto-Adagio-Presto
23 III. Presto
Popis
Ruhadze plays Geminiani: the latest volume in a revelatory project breathing new life into the founding figures of the Italian violin school of the 18th century. The violinist Igor Ruhadze has already attracted superlatives and a dedicated following for his series of Locatelli albums on Brilliant Classics. With his colleague Alexandra Nepomnyashchaya, he has now turned to no less significant a figure in the rapidly evolving world of 18th-century Italy, Francesco Geminiani. In 2022, their album of the Op.1 Violin Sonatas won universal praise: ‘a superb new recording… These musicians do honour to the period performance movement, and their release goes straight to the head of today’s Baroque offerings.’ As another Fanfare reviewer observed, ‘The early-music world needs more performers like Igor Ruhadze. The violinist, born in Russia and now living in Amsterdam, divides his time between historically informed performance of Baroque music and conventional “modern” violin playing, and the results are outstanding. He plays on a Jacobs violin from 1693, and his sound in Geminiani’s Op.1 sonatas is sweet and majestic, with a wonderfully sustained and developed melodic line.’ Lending further attraction to these albums is that the sonatas in each collection are so rarely gathered together, but rather performed piecemeal within compilations of the Italian Baroque. Yet the genius of Geminiani stands up on its own. While the Op.1 collection dates from 1714, just two years after Geminiani had settled in London, Op.4 was published in 1739, alongside a revision of Op.1. In the meanwhile he had become known, not only in England but across Europe, for the brilliance and imagination of his playing, which transfers itself so readily on to the pages of these sonatas. They posed the stiffest challenge to violinists of their time – perhaps only Geminiani himself could have done them full justice – and yet now they come alive under the fingers of Ruhadze with new energy in which flamboyance is balanced with grace and elegance.