Novecento Guitar Variations (3CD)

20,00
 
Formát:
CD
 
 
Dostupnosť:
na sklade / dostupné okamžite
 
 
Katalógové číslo:
96651
 
 
EAN kód:
5063758966511
 
 
Autori:
Alberto Mariani, Angelo Gilardino, Boris Vladimirovic Asafiev, Cristiano Porqueddu, Eli Magen, Ermanno Brignolo, Fernande Peyrot, Franco Cavallone, John Duarte, Kevin Swierkosz-Lenart, Lennox Berkeley, Leonardo Balada, Mark Delpriora, Oscar Bellomo, Reginald Smith-Brindle
 
 
Interpreti:
Cristiano Porqueddu
 
 
Vydavateľ:
BRILLIANT CLASSICS
 
 
Zoznam skladieb
Dátum vydania: 6.3.2026

Disk 1

1
Mark Delpriora: Variations on a Theme by Fernando Sor - Variazioni Attraverso l’Ottocento: I. Theme Menuet (Op. 24 No. 1)
2
Mark Delpriora: Variations on a Theme by Fernando Sor - Variazioni Attraverso l’Ottocento: II. Var. 1 Marcia (pensando a Beethoven)
3
Mark Delpriora: Variations on a Theme by Fernando Sor - Variazioni Attraverso l’Ottocento: III. Var. 2 Sonatinetta (pensando a Clementi)
4
Mark Delpriora: Variations on a Theme by Fernando Sor - Variazioni Attraverso l’Ottocento: IV. Var. 3 Ländler (pensando a Schubert)
5
Mark Delpriora: Variations on a Theme by Fernando Sor - Variazioni Attraverso l’Ottocento: V. Var. 4 Etude I (pensando a Schumann)
6
Mark Delpriora: Variations on a Theme by Fernando Sor - Variazioni Attraverso l’Ottocento: VI. Var. 5 Nocturne (pensando a Chopin)
7
Mark Delpriora: Variations on a Theme by Fernando Sor - Variazioni Attraverso l’Ottocento: VII. Var. 6 Canon (pensando a Klengel)
8
Mark Delpriora: Variations on a Theme by Fernando Sor - Variazioni Attraverso l’Ottocento: VIII. Var. 7 Etude II (pensando a Schumann)
9
Mark Delpriora: Variations on a Theme by Fernando Sor - Variazioni Attraverso l’Ottocento: IX. Var. 8 Ballade (pensando a Brahms)
10
Mark Delpriora: Variations on a Theme by Fernando Sor - Variazioni Attraverso l’Ottocento: X. Var. 9 Scherzo (pensando a Berlioz)
11
Mark Delpriora: Variations on a Theme by Fernando Sor - Variazioni Attraverso l’Ottocento: XI. Var. 10 Marche funèbre (pensando a Wagner)
12
Mark Delpriora: Variations on a Theme by Fernando Sor - Variazioni Attraverso l’Ottocento: XII. Var. 11 Berceuse (pensando a Fauré)
13
Mark Delpriora: Variations on a Theme by Fernando Sor - Variazioni Attraverso l’Ottocento: XIII. Var. 12 Prelude (pensando a Scriabin)
14
Mark Delpriora: Variations on a Theme by Fernando Sor - Variazioni Attraverso l’Ottocento: XIV. Var. 13 Intermezzo (pensando a Schönberg)
15
Mark Delpriora: Variations on a Theme by Fernando Sor - Variazioni Attraverso l’Ottocento: XV. Var. 14 Fugue (pensando a Busoni)
16
Cristiano Porqueddu: Il silenzio del pendolo (Omaggio ad Alessandro Bianchi): I. Prologo
17
Cristiano Porqueddu: Il silenzio del pendolo (Omaggio ad Alessandro Bianchi): II. Del sentire
18
Cristiano Porqueddu: Il silenzio del pendolo (Omaggio ad Alessandro Bianchi): III. Estrema ratio
19
Cristiano Porqueddu: Il silenzio del pendolo (Omaggio ad Alessandro Bianchi): IV. Berceuse
20
Cristiano Porqueddu: Il silenzio del pendolo (Omaggio ad Alessandro Bianchi): V. Burlesco
21
Cristiano Porqueddu: Il silenzio del pendolo (Omaggio ad Alessandro Bianchi): VI. Grenzsituationen
22
Cristiano Porqueddu: Il silenzio del pendolo (Omaggio ad Alessandro Bianchi): VII. Epilogo (Tema)
23
Cristiano Porqueddu: Metamorfosis de la soledad (Su uno studio di Angelo Gilardino)
24
Leonardo Balada: Lento with Variation

Disk 2

1
Boris Vladimirovic Asafiev: Theme with Variations and Finale after Tchaikovsky
2
Lennox Berkeley: Theme and Variations
3
Ermanno Brignolo: Raighínas
4
John Duarte: Variations on a Catalan Folk Song: I. Theme
5
John Duarte: Variations on a Catalan Folk Song: II. Var. 1 Risoluto
6
John Duarte: Variations on a Catalan Folk Song: III. Var. 2 Molto Lirico
7
John Duarte: Variations on a Catalan Folk Song: IV. Var. 3 Vivo e con forza
8
John Duarte: Variations on a Catalan Folk Song: V. Var. 4 Adagio
9
John Duarte: Variations on a Catalan Folk Song: VI. Var. 5 Con bravura
10
John Duarte: Variations on a Catalan Folk Song: VII. Var. 6 Con delicatezza
11
John Duarte: Variations on a Catalan Folk Song: VIII. Var. 7 Finale
12
Angelo Gilardino: Variazioni sulla follia (Studi da Francisco Goya): I. Lento e pensoso
13
Angelo Gilardino: Variazioni sulla follia (Studi da Francisco Goya): II. Risoluto, ma non troppo mosso
14
Angelo Gilardino: Variazioni sulla follia (Studi da Francisco Goya): III. Andantino scorrevole e sommesso
15
Angelo Gilardino: Variazioni sulla follia (Studi da Francisco Goya): IV. Allegro non troppo, ma assai energico
16
Angelo Gilardino: Variazioni sulla follia (Studi da Francisco Goya): V. Andantino appena mosso
17
Angelo Gilardino: Variazioni sulla follia (Studi da Francisco Goya): VI. Allegretto
18
Angelo Gilardino: Variazioni sulla follia (Studi da Francisco Goya): VII. Andante piuttosto lento
19
Angelo Gilardino: Variazioni sulla follia (Studi da Francisco Goya): VIII. Agitato
20
Angelo Gilardino: Variazioni sulla follia (Studi da Francisco Goya): IX. Non troppo lento, con forte scansione
21
Angelo Gilardino: Variazioni sulla follia (Studi da Francisco Goya): X. Rapido e lieve
22
Angelo Gilardino: Variazioni sulla follia (Studi da Francisco Goya): XI. Mosso, legato
23
Angelo Gilardino: Variazioni sulla follia (Studi da Francisco Goya): XII. Liberamente, come preludiando
24
Eli Magen: Theme and Variations
25
Alberto Mariani: Variazioni sulla follia
26
Fernande Peyrot: Theme et variations

Disk 3

1
Oscar Bellomo: 10 Variations on an Armenian Theme
2
Franco Cavallone: Comme des variations
3
Franco Cavallone: Di tante lagrime – Omaggio a Francisco Tárrega
4
Angelo Gilardino: Mozartiana No. 1: I. Tema – Andantino semplice
5
Angelo Gilardino: Mozartiana No. 1: II. Var. 1 Burlesco
6
Angelo Gilardino: Mozartiana No. 1: III. Var. 2 Agile
7
Angelo Gilardino: Mozartiana No. 1: IV. Var. 3 Grazioso
8
Angelo Gilardino: Mozartiana No. 1: V. Var. 4 Dolce e cullante
9
Angelo Gilardino: Mozartiana No. 1: VI. Var. 5 Come un mormorio
10
Angelo Gilardino: Mozartiana No. 1: VII. Var. 6 Risoluto
11
Angelo Gilardino: Mozartiana No. 1: VIII. Var. 7 Agitato
12
Angelo Gilardino: Mozartiana No. 1: IX. Var. 8 Reverie
13
Angelo Gilardino: Mozartiana No. 1: X. Var. 9 Allegro vorticoso
14
Reginald Smith-Brindle: Variants on 2 Themes of Bach
15
Kevin Swierkosz-Lenart: Variazioni su el testament d’Amelia di Llobet
Popis
The dazzling Sardinian guitarist returns to the studios for a breathtaking compendium of variation sets, many of them never recorded before, by many of the most enduring names in guitar composition of the last century. Through the course of his long partnership with Brilliant Classics, Cristiano Porqueddu has attracted superlatives and enthusiasm from all corners of the critical press and listeners everywhere. there’s no denying the ability of Cristiano Porqueddu,’ wrote David Hurwitz in Classics Today, citing the guitarist’s ‘rich sound and dexterous handling of his instrument.’ His colleague Jed Distler noted that Porqueddu’s ‘nuanced articulation allows him to sustain and spin out legato lines as if his fingers had bows.’ Porqueddu’s collection of 20th-century variation sets surveys a kaleidoscopic variety of styles and idioms, demonstrating in the process the guitarist’s own breadth of vision as well as his virtuosic technique and insightful musicianship. He begins with a monster of the form: the 45-minute sequence of variations on a theme of Fernando Sor, by the US composer Mark Delpriora. Musician and listener are taken on an astonishing tour de force of invention, as Sor’s melancholy tune becomes the raw text for vivid pastiches and parodies in the style of canon composers from Beethoven through to Schoenberg and Busoni. Characteristically, set the challenge to ‘follow that’, Porqueddu does just that, with a work of his own, which takes its inspiration from Foucault’s Pendulum. On the following discs, the withdrawn, lyrical chromaticism presents a compelling contrast with both the Russian romanticism of Boris Asafiev preceding him, and the implacable shadows of the Raighines by Ermanno Brignolo. This last work was composed for Porqueddu himself, while John Duarte’s Variations on a Catalan Folksong were composed in 1956 at the suggestion of John Williams; and it is in this distinguished lineage that Porqueddu belongs. Some of the following works inspire wonder at their intricacy (both executive and compositional), such as the interwoven Variants on Two Themes of Bach by Reginald Smith-Brindle, while others major on charm, such as the first set of Mozartiana composed by Porqueddu’s teacher, Angelo Gilardino. There’s something for everyone.