Mayr: Giuseppe (Oratorio)

12,00 €
 
Formát:
CD
 
 
Dostupnosť:
backorder/ dodacia doba 7-14 dní
 
 
Katalógové číslo:
8.574710
 
 
EAN kód:
747313471072
 
 
Autori:
Johann Simon Mayr
 
 
Interpreti:
Concerto de Bassus, Fang Zhi, Franz Hauk, Freya Apffelstaedt, Konstantin Igl, Markus Schäfer, Matthias Hoffmann, Micha Matthäus, Niklas Mallmann, Philipp Polhardt, Simon Mayr Choir
 
 
Vydavateľ:
NAXOS
 
 
Zoznam skladieb
Dátum vydania: 26. 6. 2026

Act I
Introduction
1 Sorgi, propizio Aurora (Chorus of Giuseppe's Followers and Pages) 02:38
2 Recitative: Tacete, oh Dio! - Aria: Oh! terre paterne (Giuseppe) 08:00
3 Cavatina: Ah! come appien risponde (Utoban) 03:47
4 Aria: Simeone, Fratello (Brothers, Simeone) 07:58

Scene 1
5 Aria: Prole d'un padre misero (Ruben, Giuseppe, Utoban, Neftali, Chorus) 02:48

Finale
6 Ah! Mi fa quel volto orror - Chorus: Onor a sì grande Signor (Giuseppe, Utoban, Ruben, Neftali, Simeone, People) 04:44
7 Chorus: Ah, mi s'empie l'anima (Giuseppe, Simeone, People, Ruben, Neftali, Utoban) 02:20

Act II
Scene 2
8 Recitative: In dolce sonno immersi - Duet: Ahimè! Mortal perverso (Simeone, Giuseppe) 08:47

Scene 4
9 Cantica: Dio d'Israel (Chorus of Hebrews, Giuseppe) 02:20

Scene 5
10 Aria ossia Romanza: Allor che fiera morte (Benjamino) 05:18

Scene 6
11 Ch'è questo? - Trio: Un suono festoso (Benjamino, Giuseppe, Giacobbe) 08:15

Finale
12 Oh figlio! - Recitative: Più resister non so - Aria: Venite, sì venite - Chorus: Esempio de' Monarchi - Trio: Grazie, gran Dio d'Abramo (Giacobbe, Giuseppe, Benjamino, Utoban, Chorus) 09:09

Act III
13 Marcia 01:36
14 Chorus: Della tua Gloria (Chorus, Women, Men, Giuseppe, Giacobbe, Benjamino, Brothers) 05:06
15 Duet: O dolce mio sostegno (Giacobbe, Benjamino) 04:10
16 Finale: Recitative: O cielo! quella voce! - Sextet: L'incontro inaspettato - Recitative and Chorus: Accorrete al mio sen (Giacobbe, Giuseppe, Ruben, Simeone, Benjamino, Neftali, Chorus)
Popis
Giuseppe was composed by Mayr in 1829 for graduation concerts at the academy of music in Bergamo over which he presided. His inspiration was a Biblical opera that had won great popularity, Méhul’s Joseph, which had premiered in Paris in 1807, featuring prayers, hymns and unassuming arias. Mayr, however, drew on a much wider musical canvas to include grand arias, duets, a cavatina and a final chorus. He also repeatedly references popular melodies by his contemporaries Donizetti, Rossini and Bellini as befits a pasticcio oratorio.