Guerra-Peixe: Complete Solo Guitar Music
12,00 €
Formát:
CD
Dostupnosť:
na sklade / in stock
Katalógové číslo:
70038
EAN kód:
5063758700382
Autori:
César Guerra-Peixe
Interpreti:
Flavio Nati
Vydavateľ:
BRILLIANT CLASSICS
Zoznam skladieb
Dátum vydania: 11. 9. 2026Sonata (1969)
1 I. Allegro
2 II. Larghetto
3 III. Vivacissimo
5 Preludios (1973)
4 I. Lua cheia. Allegro moderato
5 II. (en forma de estudo) Isocronia. Allegro comodo
6 III. Dança fantástica. Con fuoco
7 IV. Canto do mar. Moderato
8 V. Ponteado nordestino. Allegretto
Suite (1946)
9 I. Ponteado. Andantino
10 II. Acalanto. Lento
11 III. Choro. Allegretto alla breve
10 Ludicas (1979)
12 I. Fantasieta. Moderato
13 II. Dança negra. Allegretto moderato
14 III. Organum acompanhado. Allegretto moderato
15 IV. Berimbau. Moderato, con rigore
16 V. Modinha. Moderato, un poco rubato
17 VI. Ponteado com ligaturas. Quasi alla marcia
18 VII. Diálogo. Allegro moderato
19 VIII. Diferencias Brasileñias. Andantino
20 IX. Notas repetidas. Andantino
21 X. Urbana. Allegretto moderato
Peças fáceis (1981), breves I
22 I. Prelúdio alegre. Allegretto
23 II. Breve cantiga. Lento
24 III. Em cinco tempos. Con fuoco
Peças fáceis (1981), breves II
25 I. Ligaduras. Allegretto moderato
26 II. Harmônicos naturais. Andantino
27 III. Arpejando. Allegro moderato
Peças fáceis (1981), breves III
28 I. Quatro ligadas. Allegretto moderato
29 II. Imperial. Moderato
30 III. Repetidas. Allegretto
Peças fáceis (1981), breves IV
31 I. Uníssonos. Allegretto moderato
32 II. Segundas. Andantino
33 III. Terças. Presto
Peças fáceis (1981), breves V
34 I. Quartas. Allegro molto moderato
35 II. Quintas. Andante
36 III. Sextas. Tempo de Paso-Doble
Peças fáceis (1981), breves VI
37 I. Sétimas. Alla polca
38 II. Oitavas. Andantino
39 III. Sucesivas. Allegro scherzoso
Caderno de Mariza (1983)
40 I. Entrada. Allegro comodo
41 II. Violão à bordo. Andantino
42 III. Caprichosa. Adagio
43 IV. Menino da congada. Allegretto
44 Peixinhos da Guine
Popis
César Guerra-Peixe (1914-1993) was a Brazilian composer, violinist, and musicologist whose work reflects a deep engagement with both European classical traditions and the rich diversity of Brazilian folk music. Initially influenced by modernist and serialist techniques, Guerra-Peixe later shifted toward a nationalist style, incorporating rhythms, melodies, and structures derived from regional traditions across Brazil. This transition marked a significant phase in his career, as he sought to create a distinctly Brazilian voice within the concert music tradition.
Although Guerra-Peixe is not primarily known as a guitar composer, his contributions to the instrument are notable for their craftsmanship and cultural authenticity. His complete works for solo guitar are relatively few compared to major guitar composers, yet they hold an important place in the Brazilian guitar repertoire. These pieces reflect his ethnomusicological interests, often drawing on northeastern Brazilian musical idioms, such as baião, maracatu, and frevo. Through these influences, Guerra-Peixe infused his guitar music with rhythmic vitality and expressive nuance.
His guitar works demonstrate a clear understanding of the instrument’s technical and expressive possibilities. Rather than treating the guitar merely as a harmonic accompaniment, he explores its capacity for polyphony, timbral contrast, and rhythmic complexity. The writing is idiomatic, making effective use of open strings, varied articulations, and dynamic contrasts, while remaining accessible to skilled performers.
Played with great feeling for the idiom by Flavio Nati, one of Italy’s foremost guitarists, winner of the Golden Guitar. He played in Carnegie Hall New York as soloist in the guitar concerto of Castelnuovo-Tedesco. 
