Prokofiev: Cinderella-Ballett op.87 (2CD)
13,00 €
Formát:
CD
Dostupnosť:
7-14 dní
Katalógové číslo:
8410753
EAN kód:
761203961023
Autori:
Sergey Prokofiev
Interpreti:
Kölner Rundfunk-Sinfonieorchester, Michail Jurowski
Vydavateľ:
CPO
Zoznam skladieb
Disk 1 von 2 (CD)
Aschenbrödel op. 87 (Cinderella, Ballett) (Gesamtaufnahme)
1
Introduction (1. Akt)
2
The veil dance
3
Cinderella
4
Cinderella's father
5
The beggar fairy
6
The sister's dress for the ball
7
The dance lesson
8
Off to the ball
9
Cinderella's dream of the ball
10
Gavotte
11
Second appearance of the beggar fairy
12
The spring fairy
13
The summer fairy
14
Cricket and dragonflies
15
The autumn fairy
16
The winter fairy
17
Interruption on the way
18
The clock scene
19
Cinderella on her way to the ball
Disk 2 von 2 (CD)
1
Court dance (2. Akt)
2
Passe-pied
3
Dance of the courtiers
4
The first sister's variation
5
The second sister's variation
6
Court dance
7
Mazurka and entrance of the Prince
8
The four friends of the Prince
9
Mazurka
10
Cinderella's arrival at the ball
11
Grand waltz
12
Promenade
13
Cinderella's dance
14
The Prince's solo
15
Fruits and refreshing drinks
16
The stepsister's dance
17
Pas de deux of the Prince and Cinderella
18
Waltz coda
19
Midnight's music
20
The Prince and the shoemakers (3. Akt)
21
The Prince's first galop
22
Temptation
23
The Prince's second galop
24
In the Orient
25
The prince's third galop
26
Cinderella awakes
27
The morning after the ball
28
The Prince pays a visit
29
The princess is found
30
Waltz
31
Amoroso
Popis
In November 1945, the world premiere of Sergei Prokofiev's new ballet "Cinderella" took place at the Bolshoi Theater in Moscow: It was an immediate success, which was repeated shortly afterwards in Leningrad. After The Fool and The Love for Three Oranges, Prokofiev had once again returned to the fairy tale - and once again he had succeeded in creating a great success that even the most dogmatic minds in the Kremlin had no reason to protest. Quite the opposite: the fate of the exploited girl was an excellent way to "prove" the eternal, historical longing of all peoples for the blessings of Marxist-Leninist ideology. The only fatal thing is that the "naive" Prokofiev, of all people, who believed so much in this and other fairy tales, relegated all political readings to the realm of fable in his article written at the time of the premiere: "What I wanted above all to set to music is the romantic love of Cinderella and the prince in the tradition of the old classical ballet, with pas de deux, gavotte, waltzes, bourrée, mazurka and gallop." It is certainly Prokofiev's most lively, most dance-like ballet, and it is difficult to understand why it is still overshadowed by Romeo and Juliet. We now want to remedy this with a brilliant new recording with the WDR Symphony Orchestra Cologne under the renowned Prokofiev specialist Michail Jurowski.
