Krommer: Symphony Nos. 4, 5 & 7
13,00 €
Formát:
CD
Dostupnosť:
7-14 dní
Katalógové číslo:
6100130
EAN kód:
761203512522
Autori:
Franz Krommer
Interpreti:
Howard Griffiths, Orchestra della Svizzera italiana
Vydavateľ:
CPO
Zoznam skladieb
Krommer: Symphony Op. 10225:31
Orchestra della Svizzera Italiana
Howard Griffiths
Recorded: September 2013 / May 2016 / 30 Jan. - 3 Feb. 2017
Recording Venue: Auditorio Stelio Molo RSI, Lugano, Switzerland
Symphony No. 4 in C Minor, Op. 102: I. Largo - Allegro vivace
8:17
Symphony No. 4 in C Minor, Op. 102: II. Adagio
5:08
Symphony No. 4 in C Minor, Op. 102: III. Allegretto
5:57
Symphony No. 4 in C Minor, Op. 102: IV. Allegro
6:09
Krommer: Symphony No. 5 in E-Flat Major, Op. 105
27:08
Orchestra della Svizzera Italiana
Howard Griffiths
Recorded: September 2013 / May 2016 / 30 Jan. - 3 Feb. 2017
Recording Venue: Auditorio Stelio Molo RSI, Lugano, Switzerland
Symphony No. 5 in E-Flat Major, Op. 105: I. Adagio - Allegro moderato
9:56
Symphony No. 5 in E-Flat Major, Op. 105: II. Andante sostenuto
6:27
Symphony No. 5 in E-Flat Major, Op. 105: III. Menuet. Allegretto
5:19
Symphony No. 5 in E-Flat Major, Op. 105: IV. Allegro moderato
5:26
Krommer: Symphony No. 7 in G Minor, P I:7
26:34
Orchestra della Svizzera Italiana
Howard Griffiths
Recorded: September 2013 / May 2016 / 30 Jan. - 3 Feb. 2017
Recording Venue: Auditorio Stelio Molo RSI, Lugano, Switzerland
Symphony No. 7 in G Minor, P I:7: I. Largo - Allegro vivace
10:54
Symphony No. 7 in G Minor, P I:7: II. Adagio - Andante allegretto
6:08
Symphony No. 7 in G Minor, P I:7: III. Menuetto. Allegro
4:00
Symphony No. 7 in G Minor, P I:7: IV. Finale. Adagio - Allegro
5:32
Popis
‘Under the conductor Howard Griffiths the OSI performed elegantly and just as brilliantly. In any event, a more convincing case could hardly be made for the music of Krommer, who is largely forgotten as a symphonist.’ This is what klassik-heute wrote of cpo’s release of the first three Krommer symphonies, and Vol. 2 now follows with his Symphonies Nos. 4, 5, and 7. Generally considered, No. 4 was Franz Krommer’s most successful symphony. If one terms it his ‘Dramatic Symphony’ because of its energetic forward motion, then ‘Festive Symphony’ is the title that suggests itself for No. 5. In No. 7 Krommer, to a certain extent, returns to the dramatic character of No. 4 but generates it in a manner that might be termed archaizing or historicizing. The slow introduction of the first movement immediately begins with a theme presented in unison that with its double dotting seems to have been imported directly from the French overture type of the early eighteenth century.

