Katalógové číslo:
ALPHA 739
Autori:
Antonio Caldara, Antonio Lotti, Bertolt Brecht, Frank Martin, George Crumb, Guillame Dufay, Gustav Holst, György Kurtág, Hanns Eisler, Hildegard von Bingen, Joseph Haydn, Lili Boulanger, Patkop, Tomás Luis de Victoria, Willi Freivogel
Interpreti:
Anna Prohaska, Camerata Bern , Patricia Kopatchinskaja
1
Gustav Holst: 4 Songs for Voice and Violin, Op.35: I. Jesu Sweet
2
Walther von der Vogelweide: Palästinalied (arr. Michi Wiancko)
3
George Crumb: Black Angels, Thirteen Images from the Dark Land: III. Return, God-music
4
Guillaume Dufay: Ave maris stella (arr. Michi Wiancko)
5
Frank Martin: Maria-Triptychon: Ave Maria
6
Tomas Louis de Victoria: Ave Maria (arr. Michi Wiancko)
7
György Kurtag: Kafka-Fragmente, Op.24, Teil 1: Berceuse
8
Anonymous: Maria durch ein Dornwald ging (arr. Wolfgang Katschner)
9
Frank Martin: Maria-Triptychon: Magnificat
10
Antonio Lotti: Crucifixus (arr. Michi Wiancko)
11
Lili Boulanger: Pie Jesu (arr. Michi Wiancko)
12
Patricia Kopatchinskaja: Felino
13
Hildegard von Bingen: O Rubor Sanguinis
14
Joseph Haydn: Die Worte des Erlösers am Kreuze, Hob.XX:1: Sonata III: Mulier, ecce filius tuus
15
György Kurtag: Kafka-Fragmente, Op.24, Teil 4: Wiederum Wiederum
16
Frank Martin: Maria-Triptychon: Stabat Mater
17
Hanns Eisler: Die Rundköpfe und die Spitzköpfe, Op.45: Kuppellied (arr. Michi Wiancko)
18
György Kurtag: Kafka-Fragmente, Op. 24, Teil 3: Der Coitus als Bestrafung
19
Joseph Haydn: Die Worte des Erlösers am Kreuze, Hob.XX:1: Il Terremoto
20
Antonio Caldara: Maddalena ai piedi di Cristo: Aria "Per il mar del pianto mio"
Soprano Anna Prohaska and violinist Patricia Kopatchinskaja are both well known for their taste for eclecticism, experimentation and adventure. As they are also are friends, it was only to be expected that one day they would devise and record a programme together, and here it is: Maria Mater Meretrix... What is the relationship between Hildegard von Bingen and Gustav Holst, Antonio Caldara and Lili Boulanger? The two musicians and their partners in Camerata Bern explore the image of woman through ten centuries of music: the figure of the Virgin Mary – among other works, the triptych Magnificat – Ave Maria – Stabat Mater (1967/68) by Frank Martin, an unclassifiable composer whom both artists venerate – but also Mary Magdalene, in pieces by Caldara and Kurtág. The Saint, the Mother, the Whore... The expression of two women musicians of today, a journey full of meaning and a sensory exploration featuring solos, duets, quartets and works for large orchestra.