J. S. Bach, Biber,Marini, Corelli: four leading figuresof Baroquemusic that no one would associate with the harp. However, they worked in environments where there is ample evidence that harpists were active, and where a solo harp repertory certainly existed, even if it wasnever written down. Thisambitiousproject starts out from that premise, and is the result of in-depth research into original sources. It suggests that the repertory for violin, an instrument that sharesmany idiomatic featureswith the harp, waslong a source of inspiration for harpists. Hence, here some of the best-known and most virtuosic pieces for the violin have been arranged for harp, giving these compositions a new lease of life and shedding light on new and unexpected nuances and reflections. Flora Papadopoulos, after significant collaborations with ensembles such as Cappella Mediterranea/L. García Alarcón, Concerto Italiano/R. Alessandrini, Matheus/J-C Spinosi and Laboratorio ‘600/F. Pavan, now makes her first solo album. Exploring personal, highly experimental and empirical paths, she revives a fascinating musical practice that has been long lost.