Katalógové číslo:
PTC5186650
Autori:
Igor Stravinskij, Igor Stravinsky
Interpreti:
Gustavo Gimeno, Orchestre Philharmonique du Luxembourg
Disc 1
Le Sacre du Printemps (The Rite of Spring) (1913) Première partie (First Part): L’Adoration de la terre
1 Introduction
2 Les Augures printaniers — Danses des adolescentes
3 Jeu du rapt
4 Rondes printanières
5 Jeu des cités rivales
6 Cortege de sage
7 Adoration de la terre — Danse de la terre
Seconde partie (Second Part): Le Sacrifice
8 Introduction
9 Cercles mystérieux des adolescentes
10 Glorification d'élue
11 Évocation des ancêtres
12 Action rituelle des ancêtres
13 Danse sacrale
14 Chant funèbre (Funeral Song) (1909)
Disc 2
Jeu de cartes (Game of Cards) (1937)
1 Premiere donne (First Deal)
2 Deuxieme donne (Second Deal)
3 Troisieme donne (Third Deal)
Concerto in D «Basel» (1947)
4 I. Vivace
5 II. Arioso: Andantino
6 III. Rondo: Allegro
Agon (1957)
7 Pas-de-quatre
8 Double pas-de-quatre
9 Triple pas-de-quatre
10 Prélude
11 Premier pas-de-trois, Saraband-Step
12 Gaillarde
13 Coda
14 Interlude
15 Second pas-de-trois, bransle simple
16 Bransle Gay
17 Bransle double (Bransle de Poitou)
18 Interlude
19 Pas-de-deux — Più mosso — L’istesso tempo — Refrain
20 Coda — Doppio lento — Quasi stretto — Coda
21 Quatre Duos
22 Quatre Trios
This double album offers a testimony to Stravinsky’s overwhelming musical heritage, covering all the phases of his creative life. Igor Stravinsky (1882-1971) is twentieth-century music! More than any other composer, he continued to develop his compositional style throughout his seven-decade-spanning career, innovating and adopting all the most important musical trends of his century. Historically, the musical journey starts with one of the first recordings of the recently rediscovered Funeral Song (1909), composed as a tribute to his teacher Rimsky-Korsakov. The next phase in his development is represented with the raw but tremendously refined Rite of Spring (1913), Stravinsky’s most famous work that created a scandal at its Paris world premiere, and immediately turned him into a star. His Neoclassical style is showcased by Jeu de cartes (1937) and the Concerto in D (1947), whereas Agon (1957) presents Stravinsky’s original take on Schoenberg’s serialism.